Director: Vittorio De Sica
Screenplay: Cesare Zavattini
Starring: Carlo Battisti; Maria-Pia Casilio; Lina Gennari
Year: 1952
Country: Italy
BBFC classification: PG
Running time: 90 minutes approximately

Umberto D. begins and ends with a long shot. First, of a column of protesters marching towards us – and then of an old man as he walks away, kicking a pine cone for his dog to chase.

What’s shown between is an unflattering close-up of post-war Italy.

No better way to expose the ‘dog-eat-dog’ nature of that society than by twisting the lens in on the fate of a single animal: Umberto D. Ferrarri.

Umberto, played by the non-professional actor Carlo Battisti, has been a public servant for more than 30 years.

He joins a protest demanding a modest increase in his pension. But this single act of defiance sees him literally driven away by the authorities. Tail between his legs, he knows that no means to pay the rent means no roof to cover his head.

His inner life is stripped bare – just like the room he has lodged in for 20 years, before he is finally booted out.

His brutalisation slowly passes from the literal to the symbolic – for, as the poet put it, “humankind cannot bear very much reality”.

With no one to help, he is left to wander the streets – just like a dog... just like his dog, Flike, that had earlier wound up in the municipal compound, where each day counts down to state-sponsored oblivion.

And this is where we are struck by the forked lightning that we find in the stories of Heinrich von Kleist or the films of David Lynch.

For Flike is an emanation of Umberto. Loyal and obedient, playful and friendly – yet treated by society as the lowest thing that needs casting out or 'bringing in' as soon as it starts to beg, or bite.

By protecting the weak pulse of boundless love against the slow process of brutalisation, each is able to rescue the other from certain death.

The pine cone they kick and chase with rediscovered relish at the end is an ancient Roman symbol of regeneration.

After all of the shrinking back and shutting down, something suddenly stirs again, as the old pair gambol together in what I want to call winter light.

Umberto D. was reissued by CultFilms on Blu-ray on April 24th, 2017.
Special Features Include:

- Exclusive documentary: “Vittorio D” - a tribute to award-winning maestro De Sica. With contributions from Clint Eastward, Woody Allen, Mike Leigh, and Ken Loach, among others
- New, improved English subtitles

Umberto D.
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